Geometry.Net - Artists: Durer Albrecht

CATHOLIC ENCYCLOPEDIA: Albrecht Durer
(Catholic Encyclopedia)Category Society Religion and Spirituality DAlbrecht Dürer. Celebrated painter and engraver, born at Nuremberg,Germany, 21 May, 1471; died there, 6 April, 1528. Dürer left
http://www.newadvent.org/cathen/05209c.htm

Extractions: Home Encyclopedia Summa Fathers ... Z FIRST PERIOD (BEFORE 1505) SECOND PERIOD (1605-1620) Michaelangelo , produced in the same year, it would not suffer from the comparison. God the Father sits upon a throne and holds forth the Cross with the Crucified; above both of them, in the form of a dove, the Holy Ghost hovers. About them the saints of heaven in two companies with the Mother of God and John the Baptist God THIRD PERIOD (1520-1528) Luther . But even the Protestants Luther's stand. But they were deceived and acknowledged it, as Pirkheimer did for himself and his friend: "I confess that in the beginning I believed in Luther G. GIETMANN
Albrecht Durer
Biographical sketch of the leading German artist of the Renaissance era.Category Arts Art History Artists D Durer, AlbrechtAlbrecht Durer. Born 21 May 1471, Nuernberg Married 1494, Agnes Frey,Nuernberg. Died 6 April 1528, Nuernberg. ALBRECHT DURER, perhaps
http://www.boglewood.com/cornaro/xdurer.html

Extractions: ALBRECHT DURER, perhaps the greatest German artist of the Renaissance era, began his career in the Imperial Free City of Nuernberg with his father, a Hungarian goldsmith who had emigrated to Germany in 1455. Despite his goldsmith origins, however, by 1484 Durer had already begun painting. In 1486 he was apprenticed to the painter and printmaker Michael Wolgumut and began to work with woodcuts and copper engravings as well. Beginning in 1490 Durer travelled widely for study, including trips to Italy in 1494 and 1505-7 and to Antwerp and the Low Countries in 1520-1. During his visit to Venice on his second Italian trip Durer was especially influenced by Giovanni Bellini and Bellini's brother-in-law Andrea Mantegna , each then near the end of his career. In The Uffizi: A Guide to the Gallery (Venice: Edizione Storti, 1980, p. 57) Umberto Fortis comments that Durer's journeys enabled him "to fuse the Gothic traditions of the North with the achievements in perspective, volumetric and plastic handling of forms, and color of the Italians in an original synthesis which was to have great influence with the Italian Mannerists."
Albrecht Durer Illustrazioni Dell'Apocalisse
Albrecht Durer. Illustrazioni dell'Apocalisse di Giovanni di Patmos
http://www.in-f-or.it/arte/apocdurer

Extractions: Ora, come mi voltai per vedere chi fosse colui che mi parlava, vidi sette candelabri d'oro e in mezzo ai candelabri c'era uno simile a figlio di uomo, con un abito lungo fino ai piedi e cinto al petto con una fascia d'oro. I capelli della testa erano candidi, simili a lana candida, come neve. Aveva gli occhi fiammeggianti come fuoco, i piedi avevano l'aspetto del bronzo splendente purificato nel crogiuolo. La voce era simile al fragore di grandi acque. Nella destra teneva sette stelle, dalla bocca gli usciva una spada affilata a doppio taglio e il suo volto somigliava al sole quando splende in tutta la sua forza. b/n 380x512pix Ed ecco, c'era un trono nel cielo, e sul trono uno stava seduto. Colui che stava seduto era simile nell'aspetto a diaspro e cornalina. Un arcobaleno simile a smeraldo avvolgeva il trono. Attorno al trono, poi, c'erano ventiquattro seggi e sui seggi stavano seduti ventiquattro vegliardi avvolti in candide vesti con corone d'oro sul capo. Dal trono uscivano lampi, voci e tuoni; sette lampade accese ardevano davanti al trono, simbolo dei sette spiriti di Dio. Davanti al trono vi era come un mare trasparente simile a cristallo. In mezzo al trono e intorno al trono vi erano quattro esseri viventi pieni d'occhi davanti e di dietro. Il primo vivente era simile a un leone, il secondo essere vivente aveva l'aspetto di un vitello, il terzo vivente aveva l'aspetto d'uomo, il quarto vivente era simile a un'aquila mentre vola. I quattro esseri viventi hanno ciascuno sei ali, intorno e dentro sono costellati di occhi;
Albrecht Dürer Prints
Albrecht Dürer. An Exhibit of Four of Our Favorite Prints. Albrecht Dürer is considered one of the greatest
http://glyphs.com/art/durer

Extractions: [an error occurred while processing this directive] An Exhibit of Four of Our Favorite Prints Note: The downloadable images are full renditions of the prints. On this page, small details of the same resolution are shown rather than thumbnail versions of the prints. (detail) The Four Horseman of the Apocalypse , woodcut, 1498. Full Image: ( 458 x 594 / 103 k / jpeg) Some believe that this, along with the two following engravings, formed part of a series on the four humors (sanguine, melancholy, choleric and phlegmatic). If this is the case, the fourth of the series is lost. This piece is seen as illustrating the sanguine humor. (detail) Melancholia , engraving, 1514.
WIEM: Durer Albrecht
(encyklopedia.pl)Category World Polska Leksykon Encyklopedia encyklopedia.pl Dwersja dla drukarki. Malarstwo, Niemcy durer albrecht (14711528),widok strony znajdz podobne pokaz powiazane. Autoportret. Dürer
http://wiem.onet.pl/wiem/006555.html

Extractions: poka¿ powi±zane Autoportret Dürer Albrecht (1471-1528), niemiecki malarz i grafik, jeden z najwybitniejszych przedstawicieli prze³omu ¶redniowiecza i renesansu , pierwszy wielki drzeworytnik. Dzia³a³ g³ównie w Norymberdze, gdzie stworzy³ w³asny, jednolity styl maj±c za podstawê miejscowe tradycje sztuki pó¼nogotyckiej i wp³ywy ekspresyjnego realizmu niderlandzkiego. Najwybitniejszym dzie³em pierwszego okresu twórczo¶ci jest cykl 14 drzeworytów do Apokalipsy (1498) wyró¿niaj±cy siê nowatorstwem techniki drzeworytniczej. W tym czasie powsta³y te¿ liczne malowane portrety ( Autoportret 1498), rysunkowe pejza¿e i studia przyrodnicze, miedzioryty ( Syn marnotrawny 1496) oraz cykle drzeworytnicze ( Pasja Chrystusa 1498-1510 i ¯ycie Marii Dziêki dwukrotnym podró¿om do W³och (Wenecja, Bolonia), przyswoi³ sobie zdobycze tamtejszego odrodzenia i zasady wskrzeszonego antyku . Du¿e znaczenie mia³ kontakt z dzie³ami A. Mantegni
WIEM: Durer Albrecht, ''Autoportret''
Multimedia, Ilustracje, Zdjecia durer albrecht, ''Autoportret'', widok strony znajdzpodobne pokaz powiazane. Niemiecka sztuka, durer albrecht, wiecej ».
http://wiem.onet.pl/wiem/005bfc.html
Albrecht Durer
Albrecht Durer (14711528). Back to the Art page Other painters Museums Greatest paintings Analysis analysis Main works Adam
http://www.scaruffi.com/art/durer.html

Extractions: Back to the Art page Other painters Museums Greatest paintings Analysis analysis Main works Adam und Eva (1507) - Prado, Madrid Adoration of the Magi (1504) - Uffizi, Firenze Four Apostles (1526) - Alte Pinakothek, Munchen The Lament of Christ (1500) - Alte Pinakothek, Munchen The Martyrdom of the 10.000 (1508) - Kunsthistorisches Museum, Wien Recommended Browsing
Durer Albrecht
Albrecht Dürer (14711528). Albrecht Dürer, ''Castle Court'' 24 x 31 in. h. $295.00.Albrecht Dürer, ''The Castle of Trent'' 31 x 24 in. h. $295.00.
http://www.artprintoncanvas.com/Templates/frmTemplateD.asp?SubFolderID=311&Searc
Art Book, Architecture & Photography / Painting / Individual Artists / Durer, Al
2. The Complete Woodcuts of Albrecht durer albrecht Durer, et al / Dover Pubns /October 1985. 9. Albrecht Durer John Berger / Taschen America Llc / April 1997.
http://hallpainters.com/individual_artists/43.shtml
H2 Prints By Artist /h2
Translate this page BIG. les quatres femmes nues durer albrecht 1471-1528 figure engraving 1497. BIG.les quatres femmes nues durer albrecht 1471-1528 figure engraving 1497. BIG.
http://rubens.anu.edu.au/htdocs/surveys/prints/byartist/display00074.html
H2 Prints By Artist /h2
BIG. la sainte famille aux lapins durer albrecht 14711528 devotional woodcut 1498. lasainte famille aux lapins durer albrecht 1471-1528 devotional woodcut 1498.
http://rubens.anu.edu.au/htdocs/surveys/prints/byartist/display00075.html
Durer - Poster Store
durer albrecht Duerer 8 in. x 12 in. Buy this Art Print Framed Mounted. DurerAlbrecht Duerer 7 in. x 5 in. Buy this Art Print Framed.
http://www.elizabethi.org/gallery/durer.html
Ask Jeeves: Search Results For "Durer Melancholia"
http//www.alchemylab.com/hermetic_art.htm 4. durer albrecht The Complete Engravings,Etchings and Drypoints of Albrecht Duurer by Albrecht Duurer, Albrecht
http://webster.directhit.com/webster/search.aspx?qry=Durer Melancholia
Maison D'Oradnio: Albrecht Durer
Albrecht Durer 14711528. Albrecht Durer was an ambitious artistwho produced over a thousand masterpieces, executed in a great
http://www.albany.net/~oradnio/durer.html
Northern Renaissance ArtWeb
A collection of links and book reviews for exploring the Renaissance of the North.Category Arts Art History Movements Renaissance C. Jackson Albrecht Durer WebMuseum Durer, Albrecht Web Gallery of Art Durer,Albrecht Artchive Albrecht durer albrecht Durer Olga's Gallery Many images
http://www.msu.edu/~cloudsar/nrweb.htm
Art & Painting
When approachin Albrecht durer albrecht Durer was born in Nurembou Albrecht durer albrecht Durer was born in Nurembourg in May 21, 1471.
http://www.instant-essays.com/art_&_painting/
CGFA- Albrecht Dürer
Features a biography and a thumbnail including 17 pictures of the artist.Category Arts Art History Artists D durer, albrechtTo Biography. Graphic SelfPortrait at 13 Years Old, 1484, silverpointon paper, Graphische Sammlung, Albertina, Vienna. 60KB. Graphic
http://cgfa.sunsite.dk/durer/

Extractions: Self-Portrait at 13 Years Old, 1484, silverpoint on paper, Graphische Sammlung, Albertina, Vienna. 60KB Portrait of the Artist's Father, 1490, oil on wood, Galleria degli Uffizi, Florence. 95KB Christ as the Man of Sorrows, 1493, oil on panel, Staatliche Kunsthalle, Karlsruhe. 131KB Self-Portrait, 1493, pen and brown ink, Metropolitan Museum of Art, New York. 63KB Witch Riding a Ram Backwards, engraving, Kupferstichkabinett, Staatliche Museen Preussischer Kulturbesitz at Berlin. 120KB St. Jerome in the Wilderness, 1494, oil on panel, Fitzwilliam Museum, Cambridge. 137KB The Death of Orpheus, 1494, engraving, Kunsthalle at Hamburg. 130KB The Painter's Father, 1497, The National Gallery, London. 102KB Four Witches, 1497, engraving, The Metropolitan Museum of Art, New York. 160KB The Adoration of the Magi, engraving. 160KB St. Bridget and One of her Visions, woodcut. 152KB
WebMuseum: Dürer, Albrecht
View a profile of this German painter, printmaker, draughtsman and art theorist. Features a gallery Category Arts Art History Artists D durer, albrecht may be, the great German artist of the Northern Renaissance is albrecht Dürer (1471 ImagePortrait of durer's Father at 70 1497 (130 Kb); Oil on panel, 51 x 40
http://www.ibiblio.org/wm/paint/auth/durer/

Extractions: Dürer, Four Books on Human Proportions Dürer, Albrecht (b. May 21, 1471, Imperial Free City of Nürnberg [Germany]d. April 6, 1528, Nürnberg), German painter, printmaker, draughtsman and art theorist, generally regarded as the greatest German Renaissance artist. His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits, and copper engravings. His woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. Born in Nürnberg as the third son of the Hungarian goldsmith Albrecht Dürer. Began as an apprentice to his father in 1485, but his earliest known work, one of his many self portraits, was made in 1484. Died in Nürnberg in 1528. During 1513 and 1514 Dürer created the greatest of his copperplate engravings: the Knight St. Jerome in His Study , and Melencolia I all of approximately the same size, about 24.5 by 19.1 cm (9.5 by 7.5 inches). The extensive, complex, and often contradictory literature concerning these three engravings deals largely with their enigmatic, allusive, iconographic details. Although repeatedly contested, it probably must be accepted that the engravings were intended to be interpreted together. There is general agreement, however, that Dürer, in these three master engravings, wished to raise his artistic intensity to the highest level, which he succeeded in doing. Finished form and richness of conception and mood merge into a whole of classical perfection.
Albrecht Dürer - Olga's Gallery
Find a collection of this German Renaissance painter and illustrator's works, and a biography of his life. Search for albrecht Dürer Posters and Prints
http://www.abcgallery.com/D/durer/durer.html

Extractions: Saint John's Church. 1489. Watercolour and gouache on paper. The Hermitage, St. Petersburg, Russia. The Wire-Drawing Mill. 1489. Watercolour and gouache on paper. Kupferstichkabinett, Berlin, Germany. 1490. Oil on panel. Galleria degli Uffizi, Florence, Italy. Self-Portrait at 22. 1493. Oil on linen, transferred from vellum. Louvre, Paris, France. Christ as the Man of Sorrows. 1493. Oil on panel. Staatliche Kunsthalle, Karlsruhe, Germany. More. St. Jerome in the Wilderness. 1495. Oil on panel. National Gallery, London, UK. More. Virgin and Child before an Archway. 1495. Oil on panel. Fondazione Magnani-Rocca, Parma, Italy. View of Arco. 1495. Watercolour and gouache on paper. Louvre, Paris, France. Putti Dancing and Making Music. 1495. Black ink on paper. The Pushkin Museum of Fine Arts, Moscow, Russia. House by a Pond. 1496. Watercolour and gouache on paper. The British Museum, London, UK. Pond in the Woods. 1496. Watercolour and gouache on paper. The British Museum, London, UK. Portrait of Frederick the Wise.
Durer, Albrecht
Biographical information and a selection of 150 images by durer
http://www.geocities.com/durerweb

Extractions: The most gifted painter and engraver of the German Renaissance and Reformation period, was born in Nuremberg. He learned the techniques of engraving in the workshop of his father, a goldsmith, before being apprenticed in 1486 to the realistic Flemish painter Michael Wolgemuth. Dürer's earliest recognized work was a self-portrait painted at the age of thirteen. It was the first in a series that continued throughout his life, indicative of an introspective self-analysis. By 1493, after a trip to Colmar where he admired the paintings and engravings of Martin Schongauer, his self-portraits indicated a questioning and deeply thoughtful spirit. Dürer went to Venice for the first time in 1494 bringing back with him copies of Mantegna's works and many watercolor and pencil sketches of nature. The Renaissance ideal of the complete man and the artist as scholar and gentleman appealed to Dürer who had begun his lifelong search for new ideas, theories, and techniques, and for the solution to the problem of combining realism with abstract concepts. Upon his return to Nuremberg, where he remained for ten years, he devoted himself largely to the making of woodcuts and engravings, refining the woodcut to a degree hitherto unknown and raising it to the highest form of graphic art. His prints were distributed all over Europe and when he returned to Italy in 1505 he was received with respect and admiration. Dürer worked and studied in Venice and Bologna for two years, then returned to Nuremberg where he remained until 1520 when he made a trip to the Low Countries to study the older Flemish masters.

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